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Based on Richard Matheson's 1956 short story "Steel",[8] the original screenplay was written by Dan Gilroy and was purchased by DreamWorks for $850,000 in 2003 or 2005 (sources differ).[8][9] The project was one of 17 that DreamWorks took from Paramount Pictures when they split in 2008.[8] Director Peter Berg expressed interest in the project in mid-2009 but went no further.[9] Levy was attached to the project in September 2009,[10] and Jackman was cast in the starring role in November for a $9 million fee.[11] In the same month, Steven Spielberg and Stacey Snider at DreamWorks greenlit the project.[8] Les Bohem and Jeremy Leven had worked on Gilroy's screenplay, but in 2009 John Gatins was working on a new draft.[9] When Levy joined the project, he worked with Gatins to revise the screenplay,[12] spending a total of six weeks fine-tuning the script. Advertising company FIVE33 did a two-hundred page "bible" about robot boxing. Levy said he was invited by Spielberg and Snider while finishing Date Night, and while the director initially considered Real Steel to have "a crazy premise," he accepted after reading the script and feeling it could be "a really humanistic sports drama."[13]
Jason Matthews of Legacy Effects, successor to Stan Winston Studios, was hired to turn production designer Tom Meyer's robot designs into practical animatronic props. He said, "We have 26-and-a-half total live-action robots that were made for this film. They all have hydraulic neck controls. Atom has RC [radio-controlled] hands as well."[19] According to Jackman, executive producer Spielberg "actually said to Shawn, 'You should really have real elements where you can.' ... Basically if they're not walking or fighting, that's a real robot."[20] Levy added that Spielberg gave the example of Jurassic Park, where Winston's animatronic dinosaurs "got a better performance from the actors, as they were seeing something real, and gave the visual effects team an idea of what it would look like." As Real Steel was not based on a toy, Meyer said that "there was no guideline" for the robots, and each was designed from scratch, with an attempt to put "different personality and aesthetics," according to Levy. In Atom's case, it tried to have a more humanizing design to be an "everyman" who could attract the audience's sympathy and serve as a proxy to the viewer, with a fencing mask that Meyer explained served to show "his identity was a bit hidden, so you have to work harder to get to see him."[21] Executive producer Robert Zemeckis added that the mask "became a screen so we can project what we want on Atom's face." Damage was added to the robots' decoration to show how they were machines worn out by intense battles.[13]
For scenes when computer-generated robots brawl, "simulcam" motion capture technology, developed for the film Avatar, was used. As Levy described the process, "[Y]ou're not only capturing the fighting of live human fighters, but you're able to take that and see it converted to [CGI] robots on a screen instantaneously. Simulcam puts the robots in the ring in real time, so you are operating your shots to the fight, whereas even three, four years ago, you used to operate to empty frames, just guessing at what stuff was going to look like."[22] Boxing hall-of-famer Sugar Ray Leonard was an adviser for these scenes[14] and gave Jackman boxing lessons so his moves would be more natural.[23]
The film was released on DVD, Blu-ray, and both high-definition and standard-definition digital download on January 24, 2012, from Touchstone Home Entertainment. Additional material includes Disney Second Screen; deleted and extended scenes with introductions by director Levy; and a profile of film consultant Sugar Ray Leonard.[39][40]
"I think the possibilities are endless," the MCU vet told Entertainment Weekly last year for a 10th anniversary retrospective. "I always thought about the idea of going to the underground world and seeing what the reality is. The underground boxing circuit is so different than that last fight with all the glitz and the glam and the polish. I feel like you can do a Mad Max meets Real Steel."
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"I think the possibilities are endless," the actor said. "I always thought about the idea of going to the underground world and seeing what the reality is. The underground boxing circuit is so different than that last fight [the finale League match in the movie] with all the glitz and the glam and the polish. I feel like you can do a Mad Max meets Real Steel, and I could be Tina Turner."
The star has gone on to headline The Falcon and the Winter Soldier series and the upcoming Captain America 4 film, but he admits "it would be hilarious to show [Max] coming back as a grown adult now and he's a successful businessman and he doesn't have time for robot boxing. 'That's for kids!' And he falls back in love with robot boxing and realizes that life is happier when you're not stressed with work." He adds, "I think that would be a great storyline."
A gritty, white-knuckle, action ride set in the near-future where the sport of boxing has gone high-tech, Real Steel stars Hugh Jackman as Charlie Kenton, a washed-up fighter who lost his chance at a title when 2000-pound, 8-foot-tall steel robots took over the ring. Now nothing but a small-time promoter, Charlie earns just enough money piecing together low-end bots from scrap metal to get from one underground boxing venue to the next. When Charlie hits rock bottom, he reluctantly teams up with his estranged son Max (Dakota Goyo) to build and train a championship contender. As the stakes in the brutal, no-holds-barred arena are raised, Charlie and Max, against all odds, get one last shot at a comeback. The film also stars Evangeline Lilly, Kevin Durand and Anthony Mackie.
Real Steel is directed by Shawn Levy and collectively adapted to the screen by John Gatins, Dan Gilroy and Jeremy Leven from a Richard Matheson short story called Steel. It stars Hugh Jackman, Dakota Goyo, Evangeline Lilly, Anthony Mackie, Kevin Durand, Hope Davis and James Rebhorn. Music is scored by Danny Elfman and cinematography by Mauro Fiore.Set in the near future, robot boxing is a big crowd pulling sport. After a struggling robot operator is introduced to an 11-year-old son he has never known, they stumble upon a discarded robot at a junk yard....We can all moan about the mimicry of an idea and the clichés that dominate Real Steel, but you really got to hand it to the makers for what they have achieved. They have crafted a family film that's very much perfect in this day and age. The story is one that any adult Sylvester Stallone fan can acknowledge and appreciate, the human heartbeat pleasingly steady, while the premise of big colourful robots beating the crap out of each other delights youngsters and us adults who are still young at heart. Film pretty much does what any other film of this type does, lays on the syrup in the last quarter where second chances and family strife come thundering through the plotting. Undeniably it's hugely derivative, events are joystick operated to get an emotional response from a family audience, while product placement reins and the script often sags under the weight of unoriginality. But it does uplift the spirit and getting to the end is easy since it's so much berserker fun. Yes it's the robot Atom, the people's champion, yes it's David vS Goliath and yes! It's Balboa vS Creed. Nothing wrong with that really.The cast don't really have to offer up much beyond being adequate within the context of the material, though a muscular Jackman finds good paternal chemistry with young Goyo. In fact Goyo is pleasingly not annoying, always a bonus is that. Inevitably the robots are the stars, they're a triumph of design and visual effects and a sight for sore eyes, while Levy has a good handle on staging the fight sequences - even when cribbing from Balboa. The near future look is terrific as well, with Fiore's colour photography very appealing. Coining in over $290 million at the worldwide box office (over 180 million in profit), Real Steel found the family audience it was looking for, proving once again that there is a market for simple and effective popcorn carnage. It's not high art or intelligently scripted, but was anyone seriously thinking that was going to be the case here? If you want brains with this premise then seek out Twilight Zone episode "Steel", starring the excellent Lee Marvin, otherwise just sit back and enjoy the ride and let the botty bots and human interest raise the pulse and gladden the heart respectively. 7/10Home format release is a sparkling print, extras are annoyingly short but the blooper reel is fun, we get a stunt deconstruction, and we learn about the influence a certain Mr. Spielberg had on the production. 2ff7e9595c
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